The East, West German pottery era was unlike anything seen before or since, switching from the literal explosions of World War II to the explosion of creativity compensating for decades of artistic repression and responding to anger and despair with color and whimsy. The politicians may try to tear us apart, but the artists bring us together and hold us together. Aesthetics heal almost as well as a cat's purr. Never let the politicians take it away. At Gin-For's Odditiques, we specialize in above average, harder to find East and West German pottery from companies such as Bay Keramik, Carstens, Ceramano, Dümler & Breiden, ES Keramik, Fohr, Gramann Römhild, Marzi & Remy, Otto Keramik, Ruscha, Scheurich, Silberdistel, Ü-Keramik and many others. We also try to have a clue what we're talking about. We can tell Carstens from Scheurich, and we know a hawk from a handsaw no matter which way the wind is blowing. If you love the large Blenko Glass items, consider W. German pottery floor vases as a ceramic complement to get compliments. (Cats and batteries not included.)
In general, the surviving texts of OHG show a wide range of dialectal diversity with very little written uniformity. The early written tradition of OHG survived mostly through monasteries and scriptoria as local translations of Latin originals; as a result, the surviving texts are written in highly disparate regional dialects and exhibit significant Latin influence, particularly in vocabulary.  At this point monasteries, where most written works were produced, were dominated by Latin, and German saw only occasional use in official and ecclesiastical writing.